Warning: Use of undefined constant JZZF_VERSION - assumed 'JZZF_VERSION' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 30

Warning: Use of undefined constant JZZF_VERSION_STRING - assumed 'JZZF_VERSION_STRING' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 31

Warning: Use of undefined constant JZZF_OPTION_VERSION - assumed 'JZZF_OPTION_VERSION' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 32

Warning: Use of undefined constant JZZF_ROOT - assumed 'JZZF_ROOT' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 34

Warning: Use of undefined constant JZZF_GENERATED - assumed 'JZZF_GENERATED' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 35

Warning: Use of undefined constant JZZF_CORE - assumed 'JZZF_CORE' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 36

Warning: Use of undefined constant JZZF_BACK - assumed 'JZZF_BACK' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 37

Warning: Use of undefined constant JZZF_FRONT - assumed 'JZZF_FRONT' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/plugins/jazzy-forms/jazzy-forms.php on line 38

Warning: Use of undefined constant epost - assumed 'epost' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/themes/eyesencia/functions.php on line 502

Warning: Use of undefined constant thumbnailsf - assumed 'thumbnailsf' (this will throw an Error in a future version of PHP) in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/themes/eyesencia/functions.php on line 502

Warning: A non-numeric value encountered in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/themes/eyesencia/functions.php on line 502

Warning: A non-numeric value encountered in /home/users/0/matmoto203/web/eyesencia/wp/wp-content/themes/eyesencia/functions.php on line 502
I | eyesencia
JAPANESEENGLISHCHINESE

eyesencia

LATEST

Nobuyoshi Araki 『花人生ã€

art space AM

photography is “I” ã€2】

photography is “I” ã€1】

photography is “I” ã€2】

写真ã¯ç§ã§ã‚る 2

ã€€è’æœ¨ã¯ã€å†™çœŸã«ã¯ã€ç”Ÿï¼ˆã‚¨ãƒ­ã‚¹ï¼‰ã¨æ­»ï¼ˆã‚¿ãƒŠãƒˆã‚¹ï¼‰ãŒå†…包ã•れã¦ã„ã‚‹ã¨è¨€ã†ã€‚(二ã¤ã®è¨€è‘‰ã‚’ã¤ãªãŽåˆã‚ã›ã€ä¹ä¸‰å¹´ã®å†™çœŸé›†ã®ã‚¿ã‚¤ãƒˆãƒ«ã«ã‚‚ãªã£ãŸã€Œã‚¨ãƒ­ãƒˆã‚¹ã€ã¯ã€è’木ã«ã‚ˆã‚‹é€ èªžã ã€‚)愛ã™ã‚‹äººã¨ã®æ­»åˆ¥ã¯ã€å†™çœŸã‚’æ·±ãã™ã‚‹ã€ã¨è¨€ã†ã€‚è’æœ¨ã«ã¨ã£ã¦ã®å†™çœŸã¯ã€å½¼å²¸ã¨æ­¤å²¸ã‚’æºã‚‰ãŽè¡Œã交ã†èˆŸã§ã‚る。数年å‰ã«å‰ç«‹è…ºç™ŒãŒç™ºè¦šã€æ‰‹è¡“を経ã¦å®Œæ²»ã—ãŸç¾åœ¨ã€æ­»ã‚’想ã„ç”Ÿã‚’æƒ³ã†æ„Ÿè¦šã¯ã•らã«ç ”ãŽæ¾„ã¾ã•れã¦ã„る。

ã€€è’æœ¨ã‚’知る人ã®èª°ã‚‚ãŒã€çŽ‡ç›´ã§ã‚ãŸãŸã‹ã„人柄ã«é­…了ã•れã€ãƒ¦ãƒ¼ãƒ¢ã‚¢ã«å¯Œã‚“ã è¨€è‘‰ã¨è±Šã‹ãªå£°é‡ã‚’心ã«ç„¼ã付ã‘る。彼ã®ãƒ•ァインダーã«å¯¾å³™ã™ã‚‹ã¨ãã€èª°ã‚‚ãŒå…¨åŠ›ã§ã™ã¹ã¦ã‚’æç¤ºã—よã†ã¨åŠªã‚ã‚‹ã®ã¯ãã®ãŸã‚ã ã€‚人ã°ã‹ã‚Šã§ã¯ãªã„ã€è¡—ã¾ã§ã‚‚ãŒèƒ¸è¥Ÿã‚’é–‹ã。彼ãŒç£å ´ã¨ã™ã‚‹æ±äº¬ã®è·¯ä¸Šã‚’é—Šæ­©ã™ã‚‹ã¨ãã€é¢¨æ™¯ã®ã»ã‚“ã®ã‚ãšã‹ãªé•和感やã™ã‚Œã¡ãŒã„ã®ä¸€çž¥ã‚’è’æœ¨ã¯è¦‹é€ƒã•ãšã€é›»å…‰çŸ³ç«ã®ã”ã¨ãシャッターをåŒèª¿ã•ã›ã‚‹ã€‚ãã®å†™çœŸã¯ã€é­…æƒ‘ã¨æ¬²æœ›ã«ã‚ãµã‚Œã€ã‚³ãƒ³ã‚¿ã‚¯ãƒˆã‚·ãƒ¼ãƒˆã¯ã„ã£ã•ã„トリミングã®å¿…è¦ãªã„å®Œç’§ãªæ§‹å›³ã‚’æã作å“群ã®ã‚ªãƒ³ãƒ‘レードã ã€‚ã«ã‚‚ã‹ã‹ã‚らãšã€å½¼ã®å†™çœŸã‚’ã†ã‘ã¨ã‚ã‚‹ã¨ãã€èƒ¸ã‚’ã—ã‚ã¤ã‘られるよã†ãªåˆ‡ãªã•ãŒæŠ¼ã—寄ã›ã‚‹ã®ã¯ãªãœã ã‚ã†ã€‚

 八ä¹å¹´å¤ã®é™½å­ã®å…¥é™¢ä»¥æ¥ã€è’木ã¯ç©ºã‚’写ã™ã“ã¨ãŒå¤šããªã£ãŸã€‚翌年一月ã€ã€Œã‚りãŒã¨ã†ã€ã¨è¨€ã£ã¦ã€å¦»ã¯é€ãã€ãã®æ­»ã«å§¿ã‚’撮る。「五〇ã«ãªã£ãŸã‚‰ãƒãƒ¼ãƒˆãƒ¬ã‚¤ãƒˆã‚’ã‚„ã‚‹ã¨è¨€ã£ã¦ãŸç§ã«ã€é™½å­ã¯ã€ˆãƒãƒ¼ãƒˆãƒ¬ã‚¤ãƒˆã€‰ã‚’æ•™ãˆã¦ãã‚Œã€æ’®ã‚‰ã›ã¦ãれãŸã€‚æœ€å¾Œã®æœ€å¾Œã¾ã§ã€ç§ã«å†™çœŸã‚’撮らã›ã¦ãれãŸã€ã€‚䏿€è­°ãªã“ã¨ã«ã€è‡¨çµ‚を迎ãˆãŸé™½å­ã®ç—…室ã§é–‹ã出ã—ãŸã“ã¶ã—ã®èŠ±ã‚’æ’®ã‚‹ã€‚ã€Œå¦»ãŒé€ã£ã¦ã€ç§ã¯ç©ºã°ã‹ã‚Šå†™ã—ã¦ã„ãŸã€‚ã€ãã—ã¦ã€ã“ã†ã‚‚言ã†ã€‚「プロローグã£ã¦ã„ã†ã®ã¯ã€ã‚¨ãƒ”ローグã®ã“ã¨ã‹ãªã€‚ã€å–ªå¤±æ„Ÿã«æ‰“ã¡ã®ã‚ã•れãŸãã®å¹´ã®å†¬ã€æ±äº¬ã‚’大雪ãŒè¦‹èˆžã£ãŸã€‚白ã„雪ã®ç©ã‚‚ã‚‹ãƒãƒ«ã‚³ãƒ‹ãƒ¼ã‚’ã€ãƒãƒ­ãŒè·³ã³ã€è·³ã­ãŸã€‚妻ãŒå®Ÿå®¶ã‹ã‚‰é€£ã‚Œã¦ãã¦ä»¥æ¥ã€å®¶æ—åŒæ§˜ã«æš®ã—ã¦ããŸãƒ¡ã‚¹çŒ«ã®ã—ãã•ã¯ã€è’木を励ã¾ã—ã€ä¸€è‘‰ã®å†™çœŸã«ãŠã•ã‚られãŸã€‚

According to Araki, photography involves life (eros) and death (tanatos). (“Erotos†is another word coined by Araki. It is a combination of the two words and also the title of his 1993 photobook). Araki stated that bereavement of his loved ones deepened his photography. For Araki, photography is like a swaying boat that comes and goes between this world and the next. Currently, after having been diagnosed with prostate cancer a few years ago and recovering completely from the surgery, his desire to contemplate life and death is sharper than ever.
Everyone who knows Araki is charmed by his honest and warm personality, which brands his words, pregnant with humor, and the volume of his voice on their minds forever. For these reasons, when face to face with Araki’s view finder, everyone tries to present themselves at full stretch. Not only people, but even cities open themselves up to Araki. When he struts on the street of his magnetic field, Tokyo, he does not overlook a slight sense of incongruity in the landscape or the glimpse of a passer-by, rather he harmonizes them with his shutter in no time. The photographs are filled with allure and desire, and they come like a cavalcade of works, all of which have perfect compositions that do not require any trimming from the contact sheet. Despite these qualities, I wonder why I have a heart wrenching, wistful feeling when I take in his photographs?
Since Yoko’s hospitalization in 1989, Araki started to take many photographs of the sky. In January of the following year, his wife passed away while saying “thank you,†and Araki photographed her dead. Araki stated, “I used to say that I was going to do portraits when I turned fifty years old, but Yoko taught me how to take a portrait and let me take it. Until her very last moment, she let me take photographs.†Strangely, the magnolias in Yoko’s hospital room blossomed at her deathbed, and Araki photographed them. Araki said, “After my wife had gone, I only took photographs of sky.†He also said, “A prologue probably means an epilogue.†In winter of the same year, when Araki was struck by the sense of loss, it snowed heavily in Tokyo. On his balcony covered with white snow, Chiro jumped up and down. The gestures of this female cat that Yoko brought from her parents’ house and lived with them as family comforted him; then she came to be a subject to photograph.

摄影为“ç§â€æ˜¯ä¹Ÿ 2

è’æœ¨è¯´ï¼Œç”Ÿï¼ˆEros)与死(Thanatos)都被包å«åœ¨æ‘„影中。(1993年的摄影集《EROTOSã€‹çš„æ ‡é¢˜å°±æ˜¯è’æœ¨ç»æƒŸæŠŠè¿™ä¸¤ä¸ªè¯è¿žç»“在一起组åˆè€Œæˆã€‚ï¼‰ä»–è¿˜è¯´ï¼šâ€œä¸Žçˆ±çš„äººæ­»åˆ«ä½¿å¾—æ‘„å½±ä½œå“æ›´åŠ æ·±åŒ–ã€‚â€å¯¹äºŽè’木æ¥è¯´ï¼Œæ‘„影是游弋于æ¥ä¸–ä¸Žä»Šç”Ÿä¹‹é—´çš„èˆ¹ã€‚å‡ å¹´å‰æŸ¥å‡ºèº«æ‚£å‰åˆ—è…ºç™Œçš„è’æœ¨ï¼Œç»è¿‡æ‰‹æœ¯æ²»ç–—得到康å¤åŽï¼Œå¯¹äºŽç”Ÿä¸Žæ­»çš„ç†è§£æ›´åŠ å¤§å½»å¤§æ‚Ÿäº†ã€‚
è®¤è¯†è’æœ¨çš„人都知é“,他为人率直,待人亲切热情,语言幽默诙è°ï¼Œè…”调丰富,这样的å°è±¡æ·±æ·±å°åˆ»åœ¨æ¯ä¸ªäººçš„å¿ƒé‡Œã€‚è¿™ä¹Ÿæ˜¯ä¸ºä»€ä¹ˆåœ¨å’Œè’æœ¨çš„镜头对峙的一刻,大家都努力地使出全力去表现的原因之一。ä¸åªæ˜¯æ‹äººï¼Œåœ¨è¡—å¤´ä»–ä¹Ÿä¸€æ ·ä¼šæ”¾å¼€æ‰‹è„šåŽ»æ‹æ‘„。东京的街头对于他æ¥è¯´å°±åƒç£åœºï¼Œå½“他阔步其中时,ä¸ç®¡æ˜¯ä¸€ä¸ç‚¹å„¿ä¸å’Œè°çš„æ„Ÿè§‰ï¼Œè¿˜æ˜¯æ“¦è‚©è€Œè¿‡çš„一瞥,都逃ä¸è¿‡ä»–的快门,有如雷光石ç«ä¸€èˆ¬è¢«ä»–æ•æ‰ä¸‹æ¥ã€‚这样的作å“å……æ»¡äº†é­…æƒ‘ä¸Žæ¬²æœ›ï¼Œè¿žå°æ ·éƒ½æˆäº†æ— éœ€å‰ªè£çš„æœ‰ç€å®Œç¾Žæž„图的作å“èŸèƒã€‚坿˜¯ï¼Œä¸ºä»€ä¹ˆåœ¨çœ‹ä»–çš„ä½œå“æ—¶ä¼šæœ‰ä¸€ç§åŽ‹è¿«èƒ¸å£çš„æ„Ÿè§‰å‘¢ï¼Ÿ
自从1989å¹´å¤å¤©é˜³å­èŽ·ç—…å…¥é™¢ä»¥æ¥ï¼Œè’æœ¨æ‹æ‘„天空的作å“便多了起æ¥ã€‚1990å¹´1月,在和阳å­è¯´äº†æœ€åŽä¸€å£°â€œè°¢è°¢â€åŽï¼Œé˜³å­å®‰ç„¶ç¦»ä¸–。为记录下阳å­çš„æ­»ï¼Œè’木æ‹ä¸‹äº†å¥¹æœ€åŽçš„èº«å½±ã€‚â€œåœ¨é‚£ä»¥å‰æˆ‘曾ç»è¯´è¿‡ï¼Œç­‰æˆ‘到了50岿ˆ‘开始æ‹äººåƒã€‚å…¶å®žæ•™ä¼šæˆ‘å¦‚ä½•æ‹æ‘„â€˜äººåƒæ‘„å½±â€™å¹¶ä¸€ç›´ç»™æˆ‘æ‹æ‘„机会的,就是阳å­ã€‚直到最åŽå¥¹ç¦»å¼€ï¼Œä¹Ÿç»™äº†æˆ‘最åŽä¸€æ¬¡è¿™æ ·çš„æœºä¼šã€‚â€è’木这样说é“。最ä¸å¯æ€è®®çš„æ˜¯ï¼Œä»–æ‹æ‘„了阳å­ä¸´ç»ˆå‰ç—…房里怒放的辛夷花。“妻å­è¿‡ä¸–åŽï¼Œæˆ‘总是在æ‹å¤©ç©ºã€‚â€ä»–接ç€è¯´é“:“开场白是å¦ä¹Ÿå°±æ˜¯å°¾å£°å‘¢ï¼Ÿâ€åœ¨ç—›å¤±çˆ±å¦»çš„这年冬天,东京下起了大雪。爱猫奇洛跳上积满白雪的阳å°ï¼Œåœ¨ä¸Šé¢è¹¦æ¥è·³åŽ»ã€‚è‡ªä»Žé˜³å­æŠŠå®ƒä»Žå§¥å®¶å¸¦æ¥è¿™é‡Œï¼Œä½œä¸ºå®¶åº­æˆå‘˜ä¸€èµ·ç”Ÿæ´»ç€çš„è¿™åªé›Œæ€§å°çŒ«çš„一举一动都激励ç€è’æœ¨ï¼Œè€Œä¸”è’æœ¨ä¹ŸæŠŠå®ƒæ‹åˆ°äº†ä½œå“中。

photography is “I” ã€1】

写真ã¯ç§ã§ã‚ã‚‹ 1

ã€€è’æœ¨çµŒæƒŸã®å†™çœŸã®åŽŸç‚¹ã¯ã€æœ¬äººã‚‚公言ã—ã¦ã„ã‚‹ã¨ãŠã‚Šã€ä¸€ä¹ä¸ƒä¸€å¹´ã«è‡ªã‚‰ãŒç·¨é›†ã—刊行ã—ãŸã€ä¸€ã€‡ã€‡ã€‡éƒ¨é™å®šã®ç§å®¶ç‰ˆã€Žã‚»ãƒ³ãƒãƒ¡ãƒ³ã‚¿ãƒ«ãªæ—…ã€ã«ã‚ã‚‹ã€‚æœ¬æ›¸ã«æŽ²è¼‰ã•れã¦ã„る宣言文ã¯ã€ã“ã®æœ¬ã®å†’é ­ã«ç›´ç­†ã‚’転写・å°åˆ·ã•れãŸã®ãŒåˆå‡ºã§ã‚りã€è’木ã®å®Ÿè³ªçš„ãªã€Œç§å†™çœŸã€å®£è¨€ã¨ã„ãˆã‚‹ã€‚『センãƒãƒ¡ãƒ³ã‚¿ãƒ«ãªæ—…ã€ã¯ã€åŒå¹´ã«çµå©šã—ãŸã€å¦»ãƒ»é™½å­ã¨ã®æ–°å©šè¡Œã‚’ãŸã©ã‚‹èµ¤è£¸è£¸ãªãƒ¢ãƒŽã‚¯ãƒ­ãƒ¼ãƒ ã®è¨˜éŒ²ã§ã‚ã‚Šã€æ—¥æœ¬ã®å†™çœŸç•Œã«ã€ã‚»ãƒ³ã‚»ãƒ¼ã‚·ãƒ§ãƒ³ã‚’å·»ãèµ·ã“ã—ãŸã€‚以é™ã€ç¾åœ¨ã«ã„ãŸã‚‹ã¾ã§ã€è’木ã®å†™çœŸå®¶ã¨ã—ã¦ã®ãƒˆãƒãƒ­ã‚¸ãƒ¼ã¯ã€å¾¹åº•çš„ã«ã€ã€Œç§ï¼å†™çœŸã€ã¨ã„ã†æ¦‚念ã«è²«ã‹ã‚Œã¦ã„る。

 çµå©šã‹ã‚‰ãŠã‚ˆã二å年後ã€å­å®®è‚‰è…«ã«ã‚ˆã£ã¦ã€é™½å­ã¯ç”Ÿæ¶¯ã®å¹•ã‚’é–‰ã˜ã‚‹ã€‚çµå©šç”Ÿæ´»ã‚’通ã˜ã¦æ’®ã‚‰ã‚ŒãŸæ•°å¤šãã®å†™çœŸã«ã¯ã€æ–°å±…(世田谷・豪徳寺ã®ãƒžãƒ³ã‚·ãƒ§ãƒ³ã®ä¸€å®¤ï¼‰ã§ã‚¹ã‚¿ãƒ¼ãƒˆã—ãŸäºŒäººã®ç”Ÿæ´»ã®ç¯€ã€…ã€å¹¸ç¦ã®çµ¶é ‚を彷彿ã•ã›ã‚‹çˆ›æ¼«ãªç¬‘é¡”ã€æ„›çŒ«ãƒ»ãƒãƒ­ã¨æˆ¯ã‚Œã‚‹å§¿ã€å¤«å©¦æ°´å…¥ã‚‰ãšã®æ—…ã€å¾ã€…ã«ã•ã¾ã–ã¾ãªè¢«å†™ä½“ã«æµ¸é£Ÿã•れã¦ã„ã広ã„ãƒãƒ«ã‚³ãƒ‹ãƒ¼ãªã©ãŒã¡ã‚Šã°ã‚られã€å½¼å¥³ã®ç™ºç—…ã«ã‚ˆã‚Šæ­¯è»Šã‚’ç‹‚ã‚ã•れã€çµ‚ã«ã¯ã€ã‚ãµã‚Œã‚‹èбã«åŸ‹ã‚‚れãŸå½¼å¥³ã®æ£ºã®ãªã‹ã®é¡”ã¸ï¼ˆã€Žå†¬ã®æ—…ã€ï¼‰ã€ã¨å‘ã‹ã£ã¦ã„ã。葬å¼ã§è’æœ¨ãŒæŠ±ãˆã‚‹éºå½±ã«ãŠã•ã‚られãŸã€è¯ã‚„ã‹ãªãƒãƒ¼ãƒˆãƒ¬ãƒ¼ãƒˆã‚‚ã¾ãŸã€è’æœ¨ã®æ’®å½±ã«ã‚ˆã‚‹ã‚‚ã®ã ã€‚

 陽å­ãŒã€æŠœãん出ã¦ç¾Žã—ã„女性ã§ã‚ã£ãŸã“ã¨ã¯ã¾ãŽã‚Œã‚‚ãªã„事実ã ãŒã€ãã®å†…å´ã‹ã‚‰æ”¾å‡ºã•れる目映ã•ãŒã€è’木ã®é–“æ–­ãªã„シャッター音ã¨ã®åŒ–å­¦å応ã«ã‚ˆã‚Šã€å¢—å¹…ã•れãŸã“ã¨ã‚‚ã¾ãŸã€å½¼ã®å†™çœŸã«æ˜Žã‚‰ã‹ã§ã‚ã‚‹ã€‚è’æœ¨ã¯å¸¸ã€…ã€ã€Œå†™çœŸã¯è¢«å†™ä½“ã¨æ™‚é–“ãŒã¤ãã‚‹ã‚‚ã®ã€ã¨è¿°ã¹ã¦ã„る。「空間を撮ã£ã¦ã‚‹ã‚“ã˜ã‚ƒãªã„ã€æ™‚ã‚’æ’®ã£ã¦ã„る。時をフレーミングã—ã¦ã„ã‚‹ã‚“ã ã€ã¨ã‚‚。

ã€€è’æœ¨çµŒæƒŸã¯ã€ä¸€ä¹å››ã€‡å¹´ã«ã€æ±äº¬ã®ä¸‹ç”ºã€å°æ±åŒºä¸‰ãƒŽè¼ªã§ã€ä¸‹é§„è·äººã§ã‚ã‚‹çˆ¶ãƒ»é•·å¤ªéƒŽã€æ¯ãƒ»ãã‚“ã®é•·ç”·ã¨ã—ã¦ç”Ÿã‚’享ã‘ãŸã€‚æ±Ÿæˆ¸æœŸã®æ–°å‰åŽŸã®ãŠè†å…ƒã€éŠå¥³ãŸã¡ã®ç„¡ç¸ä»ãŒå¤šæ•°çœ ã‚‹æµ„è¦³å¯ºã®æ•·åœ°ãŒå¹¼å°‘時代ã®éŠã³å ´ã ã£ãŸã€‚写真を趣味ã¨ã™ã‚‹çˆ¶ã‹ã‚‰ã€å¤šå¤§ãªå½±éŸ¿ã‚’å—ã‘る。都立上野高校ã‹ã‚‰åƒè‘‰å¤§å·¥å­¦éƒ¨ãƒ»å†™çœŸå­¦ç§‘ã«é€²ã‚€ã€‚大学時代ã«ãƒã‚¢ãƒ¬ã‚¢ãƒªã‚ºãƒ ã«æ„ŸåŒ–ã•れã€å’業制作ã¨ã—ã¦ã€æ˜ ç”»ã€Œã•ã£ã¡ã‚“ã€ã‚’åˆ¶ä½œã€‚å’æ¥­å¹´ã§ã‚る六三年ã€å¤§æ‰‹åºƒå‘Šä»£ç†åº—ã§ã‚る電通ã«ã‚«ãƒ¡ãƒ©ãƒžãƒ³ã¨ã—ã¦å…¥ç¤¾ã€‚ãã®é–“ã«ã€å…­ã€‡å¹´ä»£ã€æˆ¦å¾Œã‹ã‚‰å¾©èˆˆã¸ã®ã‚¨ãƒãƒ«ã‚®ãƒ¼ã«æ¼²ã‚‹æ™‚代を背景ã«ã€ä¸‹ç”ºã®å­ä¾›ãŸã¡ã‚’撮りãŠã‚ã—ãŸå†™çœŸã€Œã•ã£ã¡ã‚“ã€ã«ã‚ˆã£ã¦ã€ç¬¬ä¸€å›žå¤ªé™½è³žå—賞。

ã€€è’æœ¨ã¯é›»é€šæ™‚代ã€åºƒå‘Šã‚«ãƒ¡ãƒ©ãƒžãƒ³ã¨ã—ã¦ã‚‚ã€ç¢ºã‹ãªåŠ›é‡ã‚’発æ®ã—ã¦ã„る。一方ã§ã€ç¤¾ã®ã‚¹ã‚¿ã‚¸ã‚ªã‚’自在ã«ä½¿ç”¨ã§ãる権利を駆使ã€ç§˜æ›¸è·ã‚’å‹™ã‚ã€ã®ã¡ã®ä¸ƒäºŒå¹´ã«å¦»ã¨ãªã‚‹é’木陽å­ã‚‰ã‚’モデルã¨ã—ãŸå¥³æ€§å†™çœŸã‚„ã€è¡—ã‚’æ­©ã市井ã®äººã€…ã®è†¨å¤§ãªé‡ã®ã‚¹ãƒŠãƒƒãƒ—ãªã©ã€ã¿ãšã‹ã‚‰ã®ä½œå“ã‚’ç²¾åŠ›çš„ã«æ’®å½±ã—ãŸã€‚

 夫ã«ã•ãã ãŸã‚ŒãŸæ¯ãŒä¸ƒå››å¹´ã«æ²¡ã—ã€å–ªä¸»ã‚’勤ã‚る。「ã“ã‚“ãªã«ã„ã„é¡”ã®æ¯ã‚’見ãŸã®ã¯ã€åˆã‚ã¦ã®ã‚ˆã†ãªæ°—ãŒã—ãŸã€‚ç§ã¯å‡è¦–ã—ãŸã€‚ãã“ã«ã¯ã€ç¾å®Ÿã‚’è¶…ãˆãŸç¾ç‰©ãŒã‚ã£ãŸã€‚ã¾ã•ã—ãã€æ­»æ™¯ã§ã‚ã£ãŸã€ã€‚

The origin of Araki’s photography lies, as he openly declares, in Sentimental Journey, which he edited and privately published in a limited edition of one thousand copies. Araki’s substantial declaration “I-photography (shi-shashin)†originally appeared on the first page of the photobook where Araki’s hand-written text was transcribed and printed. Sentimental Journey, which created a sensation in the Japanese photography world, is a bold, monochromatic record of honeymooning with his wife Yoko whom he married the same year of the publication. From that time onward, his trajectory as a photographer has been thoroughly supported by his concept of the equivalency between “the self (I)†and “photography.â€
About two decades after they wed, Yoko passed away due to uterine cancer. Numerous photographs taken throughout their married life discursively document the following: scenes of starting life together in their new home (an apartment in GÅtokuji, Setagaya-ward in Tokyo), a bright smile that reminds us of Araki and Yoko in a state of euphoria, playful moments with their pet cat Chiro, intimate trips taken by just the two of them, and a spacious balcony that was gradually overtaken by a variety of objects used in his photography. Ultimately, this series of photographs was derailed by Yoko’s disease and we see this turn of events in a photograph of her face in her coffin surrounded by a bunch of flowers (as in Winter Journey). Araki also shot a stunning portrait of Yoko that he held at her funeral.
It is an undeniable fact that Yoko was far and away a beautiful woman, and it is also clear that the brightness which radiated from within her was enhanced by the magical chemistry between her and shutter click of Araki’s tireless shooting. Araki has repeatedly mentioned, “photography is formulated by the subject and time.†He also states, “I am not shooting the space, but time. I am framing time.â€
Araki was born in 1940 in Minowa, TaitÅ-ward in downtown Tokyo. He was the oldest son of father ChÅtarÅ, a maker of traditional Japanese clogs, and mother Kin. During his childhood, the nearby JÅkanji temple was his playground, situated at the foot of Shin-Yoshiwara [red light district] and dating to the Edo period (1603-1868). The temple was the final resting place for many deceased prostitutes without any surviving relatives to pray for their souls. Araki was very influenced by his father, whose hobby was photography. Upon graduating Ueno Municipal High School, Araki went on to take photography courses in the department of engineering at Chiba University. During his university years, he was influenced by Italian Neorealism and made a film Satchin for his graduation project. In 1963, the year he graduated from university, he entered a major advertizing agency Dentsu, Inc. as a photographer. During his years at Dentsu, he won the first annual TaiyÅ (Sun) award for his series of photographs Satchin, in which he photographed children in 1960s downtown Tokyo, filled with the energy of post-war reconstruction.
During this Dentsu years, Araki also demonstrated his aptitude as a commercial photographer. However, he also took advantage of his autonomy and freely made use the agency’s photo studio, energetically creating his own works, These included photographs of female models such as Aoki Yoko, who worked as a secretary at Dentsu and became his wife in 1971, and a great number of photographs of common people walking in the street, among other works.
Araki’s mother, by then a widow, passed away in 1974 and Araki served as her chief mourner. Araki said, “I felt that I saw the best version of my mother’s face for the first time. There was an actual thing that went beyond reality. I exactly saw the landscape of death [shi-kei, a word coined by Araki].â€

摄影为“ç§â€æ˜¯ä¹Ÿ 1

è¯´èµ·è’æœ¨ç»æƒŸæ‘„影作å“çš„èµ·å§‹ç‚¹ï¼Œæ­£å¦‚æˆ‘ä»¥å‰æåˆ°è¿‡çš„ï¼Œæ˜¯1971年自行编辑出版ã€é™é‡1000本的《感伤之旅》。本书刊登的宣言原文,最早也是出自那本作å“é›†çš„åºæ–‡ï¼Œè¿™å®žé™…上也å¯ä»¥ç§°ä¹‹ä¸ºè’æœ¨ç»æƒŸå¯¹äºŽâ€œç§å†™çœŸâ€çš„宣言。《感伤之旅》用赤裸裸的黑白影åƒè®°å½•下了1971å¹´è’æœ¨ä¸Žé˜³å­çš„æ–°å©šæ—…行,并且引起了ä¸å°çš„轰动。从那以åŽä¸€ç›´åˆ°çŽ°åœ¨ï¼Œè’æœ¨ç»æƒŸä½œä¸ºæ‘„影艺术家的地ä½å°±è¢«ç¡®ç«‹äº†ä¸‹æ¥ï¼Œå¹¶ä¸”在他的作å“里自始至终贯穿ç€â€œç§ï¼å†™çœŸâ€çš„æ¦‚念。
结婚20å¹´åŽï¼Œé˜³å­è¢«å­å®«ç˜¤å¤ºåŽ»äº†ç”Ÿå‘½ã€‚åœ¨å©šåŽç”Ÿæ´»çš„æ—¥å­é‡Œï¼Œè’æœ¨ç»æƒŸæ‹æ‘„çš„ç»å¤§éƒ¨åˆ†å½±åƒï¼Œéƒ½å‡ºè‡ªä»–们二人在寓所(东京世田谷豪德寺公寓)开始的婚åŽç”Ÿæ´»çš„点点滴滴,比如无比幸ç¦ç¿çƒ‚的微笑,和爱猫奇洛嬉æˆçš„身影,夫妇二人的旅行,被无数被摄体侵蚀的宽敞的阳å°ç­‰ç­‰ï¼Œç›´åˆ°é˜³å­çš„病情把这一切幸ç¦çš„光景都打破了,最åŽï¼Œé˜³å­é™é™åœ°è¶Ÿåœ¨æ£ºæœ¨é‡Œï¼Œé¢åºžæ·¹æ²¡åœ¨æ— æ•°èŠ±æµ·ä¸­ï¼ˆã€Šå†¬ä¹‹æ—…ã€‹ï¼‰ã€‚åœ¨è‘¬ç¤¼ä¸Šï¼Œè’æœ¨ç»æƒŸæ€€æŠ±ç€çš„阳å­é‚£åŽè´µé›å®¹çš„é—å®¹ï¼Œä¹Ÿæ˜¯è’æœ¨ç»æƒŸåœ¨å¥¹ç”Ÿå‰ç•™ä¸‹çš„。
阳å­å‡ºç±»æ‹”èƒçš„美丽是毋容置疑的。然而从她的内在所映衬出的魅力,通过ä¸é—´æ–­çš„快门声和一系列的化学ååº”å¾—åˆ°äº†å¢žå¼ºï¼Œå¹¶ä¸”æ¸…æ™°åœ°åæ˜ åœ¨è’木的作å“ä¸­ã€‚è’æœ¨ç»æƒŸå¸¸å¸¸è¯´ï¼šâ€œç…§ç‰‡æ˜¯è¢«æ‘„体和时间组æˆçš„ã€‚â€¦â€¦æˆ‘ä»¬æ‹æ‘„çš„ä¸æ˜¯ç©ºé—´ï¼Œæ˜¯æ—¶é—´ã€‚我们在框å–的其实是时间啊。â€
è’æœ¨ç»æƒŸï¼Œ1940年作为长å­å‡ºç”ŸäºŽä¸œäº¬å°ä¸œåŒºä¸‰è½®çš„一个普通市井家庭。父亲长太郎是ä½åˆ¶ä½œæœ¨å±çš„匠人。新å‰åŽŸé™„è¿‘æ±Ÿæˆ·æ—¶æœŸçš„å‡€è§‚å¯ºæˆäº†ä»–幼年玩è€çš„地方,æ®è¯´é‚£é‡Œè‘¬ç€è®¸å¤šç”Ÿå‰æ— äº²æ— æ•…的艺妓。他的父亲把摄影当æˆå…´è¶£ï¼Œè¿™ä¹Ÿæ·±æ·±å½±å“äº†è’æœ¨ç»æƒŸã€‚他从都里上野高校å‡å…¥åƒå¶å¤§å­¦å·¥å­¦éƒ¨æ‘„影学科,在大学期间å—到æ„大利新现实主义影å“,在大学的毕业制作中创作了电影《阿幸》。1963å¹´æ¯•ä¸šå½“å¹´ï¼Œä¾¿è¿›å…¥ç”µé€šå¹¿å‘Šå…¬å¸æˆä¸ºäº†ä¸€å摄影师。在20世纪60年代日本战åŽç¤¾ä¼šå¤å…´è¿™ä¸€çƒ­ç«æœå¤©çš„å¤§èƒŒæ™¯ä¸‹ï¼Œä»–æ‹æ‘„的以市井儿童为主题的摄影作å“《阿幸》一举获得了首届太阳奖。
è’æœ¨åœ¨ç”µé€šå…¬å¸æ‹…任广告摄影师时,也ç€å®žå‘挥了他的能力。一方é¢ä»–æœ‰è‡ªç”±ä½¿ç”¨å…¬å¸æ‘„影棚的æƒåˆ©ï¼Œåšè¿‡ç§˜ä¹¦ä¹‹ç±»çš„æ–‡èŒï¼Œæ‹è¿‡å¾ˆå¤šå¥³æ¨¡ç‰¹çš„æ‘„影作å“ï¼Œå…¶ä¸­å°±æœ‰åŽæ¥1972å¹´æˆä¸ºä»–的妻å­çš„é’æœ¨é˜³å­ï¼Œæ¼«æ­¥äºŽå¸‚井街é“ã€æŠ“æ‹å¤§é‡äººç‰©ç­‰ç­‰ï¼Œè’æœ¨ç»æƒŸæŠŠç²¾åŠ›æŠ•å…¥åˆ°æ‰€æœ‰è¿™äº›ä¸ªäººçš„ä½œå“中。
丧夫的æ¯äº²åœ¨1974å¹´ä¹Ÿç¦»å¼€äº†äººä¸–ï¼Œè’æœ¨ä¸»æŒäº†è‘¬ç¤¼ã€‚“好åƒç¬¬ä¸€æ¬¡çœ‹åˆ°æ¯äº²å¦‚此安详的é¢å®¹ï¼Œæˆ‘å‡è§†äº†è®¸ä¹…。我看到了超越现实的东西,那正是æ¯äº²çš„“死景â€ã€‚